{"id":3668,"date":"2022-04-01T11:30:20","date_gmt":"2022-04-01T10:30:20","guid":{"rendered":"https:\/\/fr-nt.nl\/?p=3668"},"modified":"2022-06-07T22:44:23","modified_gmt":"2022-06-07T21:44:23","slug":"jeremiah-chiu-marta-sofia-honer-een-kwestie-van-geen-tijd","status":"publish","type":"post","link":"https:\/\/fr-nt.nl\/en\/2022\/04\/01\/no-time-is-of-the-essence-for-jeremiah-chiu-marta-sofia-honer\/","title":{"rendered":"No time is of the essence for Jeremiah Chiu &amp; Marta Sofia Honer"},"content":{"rendered":"<p class=\"wp-block-paragraph translation-block\"><em>Front is media partner of\u00a0<strong>Rewire<\/strong>\u00a0\u2013 rom 7 to 10 April 2022 in The Hague. In addition to Jeremiah Chiu &amp; Marta Sofia Honer,\u00a0<\/em><a href=\"https:\/\/fr-nt.nl\/en\/2020\/08\/12\/alabaster-deplume-put-uit-toeval-en-willekeur-ik-heb-een-hele-speelse-missie\/\" target=\"_self\"><em>Alabaster dePlume<\/em><\/a><em>,\u00a0<\/em><a href=\"https:\/\/fr-nt.nl\/en\/2022\/03\/04\/lost-in-conversation-mabe-fratti-embraces-misunderstanding\/\" target=\"_self\"><em>Mabe Fratti<\/em><\/a><em>, <\/em><a href=\"https:\/\/fr-nt.nl\/en\/2022\/03\/23\/bela-finds-sanctuary-in-rootlessness\/\" data-type=\"post\" data-id=\"3649\" target=\"_self\"><em>bela<\/em><\/a><em>, <\/em><a href=\"https:\/\/fr-nt.nl\/en\/2021\/08\/20\/leo-svirsky-ziet-de-tijd-verstrijken\/\" data-type=\"post\" data-id=\"2369\" target=\"_self\"><em>Leo Svirsky<\/em><\/a><em>, and\u00a0<\/em><a href=\"https:\/\/fr-nt.nl\/en\/2020\/12\/19\/een-front-le-guess-who-livesessie-greetje-bijma-oceanic\/\" target=\"_self\"><em>Oceanic<\/em><\/a><em>\u00a0will be performing. More information can be found at\u00a0<\/em><a href=\"https:\/\/www.rewirefestival.nl\/\" target=\"_self\"><em>Rewire's website.<\/em><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\"><strong>Experimental composer \/ modular synthesiser guru Jeremiah Chiu and viola virtuoso Marta Sofia Honer had been living and playing together for many years, but it took an impromptu adventure to a place without time for the two to finally collaborate on a full-length LP. <em>Recordings from the \u00c5land Islands<\/em> offers both exactly what the title suggests, and a journey that far transcends its specific locale.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\"><strong>Written by: <\/strong>Ruben van Dijk<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">In Alan Lightman\u2019s 1992 novel <em>Einstein\u2019s Dreams<\/em>, a small town in the Swiss Alps goes through a different configuration of time with every new chapter. Time runs in circles, or time is a nightingale, occasionally trapped. And in one of them, time stands still, but only in said town. \u201cAs a traveller approaches this place from any direction, he moves more and more slowly. His heartbeats grow further apart, his breathing slackens, his temperature drops, his thoughts diminish, until he reaches dead centre and stops.\u201d Such is the experience of listening to the musical scrapbook that is <em>Recordings from the \u00c5land Islands<\/em> by Jeremiah Chiu &amp; Marta Sofia Honer, which came out earlier this year through International Anthem. \u201cAn eternity of contentment,\u201d as Lightman would put it, \u201cFixed and frozen, like a butterfly mounted in a case.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Until a few years ago, Chiu nor Sofia Honer had even heard of the \u00c5land archipelago, an autonomous region of Finland, located where the Baltic Sea meets the Gulf of Bothnia. You can hardly fault them: \u00c5land is home to a mere 30,000 and, due to its politically neutral and demilitarised status, has managed to mostly steer away from conflict in the last 150 years of European history. That a group of creative people from California ended up where they did, was largely the result of happenstance. In the end, it yielded an album that captures the place better than any brochure ever could; a boundless, yet oddly faithful ode to a place where time\u2019s an eternity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cWe love travelling and we get inspired by travelling,\u201d Chiu tells me, the both of them sat in their living room in LA. \u201cBut I\u2019m also a very bad vacationer. I can\u2019t do it. I\u2019m always trying to think of a project to do.\u201d And so, when Chiu reconnected with Sage Reed, an old friend from his Chicago days, and learned about her plans to start a hotel on the island of Kumlinge with her \u00c5land born mother, he jumped at the opportunity. \u201cShe was like: \u2018If you know anyone that wants to come and help make this thing happen, we\u2019re open to it.\u2019 And it sparked a lightbulb for me. Can we get a group of people to help her barn raise this small hotel \u2013 with the hopes that one day it might become this really beautiful place for us to visit, to go work on projects\u2026?\u201d<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>\u201cI remember when we finished the concert, and one of the audience members was like: \u2018I come to this church every week, but I\u2019ve never heard this organ played this way, ever.\u2019\u201d<\/strong><\/p><cite>Jeremiah Chiu<\/cite><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cJeremiah is a very good instigator,\u201d adds Sofia Honer, \u201cWe decided to invite some friends with us, some of which we were already pretty close with and some we weren\u2019t as close with yet, so it was a surprise group of people. It really worked, because it\u2019s a special kind of person that jumps at going somewhere unknown, not quite knowing what is going to happen.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The couple brought some instruments to \u00c5land, as well as a recording kit, \u201cbecause there\u2019s always a bit of a side project involved, whether we know it or not.\u201d But recording an album was far from the intention. Chiu: \u201cWe set out to do demolition on walls, paint walls, rebuild this place\u2026\u201d Sofia Honer: \u201cBut we found moments where we just started improvising, writing a little bit of music, taking field recordings while we were exploring different islands, composing things and slowly piecing them together.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">Although their first visit lasted only two weeks, the hours seemed in abundance on the archipelago, located at the southernmost point on the Northern Hemisphere where white nights can be observed. Sofia Honer: \u201cWhen we went, it was right around <em>midsommar<\/em>, when the sun never really sets, which we\u2019d never experienced before. Even past midnight it\u2019s just endless dusk. Along with the landscape of all the islands, the water, and the granite, the colour and energy of having that eternal sun was something new to us, and it was super captivating.\u201d Chiu: \u201cFor both of us, there was this feeling of not having to regiment to any sort of schedule. It felt like there was no time happening there. Which is a strange experience, but one I love so much.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mdBucYkWwd8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">A 14<sup>th<\/sup>-century church on the island of Kumlinge, with frescoes dating back to 1500, proved to be especially inspiring. In those initial two weeks, Chiu spent endless hours playing its organ, having had almost no experience with one before. (\u201cThey were so open to just letting us do that. Or well, the young boy that was monitoring the church was open to us doing that...\u201d) Over time, it became clear that the organ, and the space it inhabited, would be at the centre of something larger. The two applied for a grant to perform and record at the church, and by the time of their return to the islands, two years later, that \u2018something larger\u2019 was slowly starting to reveal itself.<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">Their 2019 performance at St. Anna\u2019s Church would ultimately be at the centre of <em>Recordings from the \u00c5land Islands<\/em> \u2013 with the organ featuring most prominently on \u2018Anna\u2019s Organ\u2019 and \u2018Kumlinge Kyrka\u2019, and the sonic qualities of the structure literally echoing throughout. Sofia Honer: \u201cIt was funny, because you do experience the gravity of its age. There\u2019s not a lot of stuff that\u2019s that old where we live. So it was special to be able to utilise that space like we did \u2013 with people that were so casual about it, because it\u2019s just part of their everyday life. We asked them: \u2018Can we move some stuff around and bring in a PA system?\u2019 \u2018Sure!\u2019 \u2018Oh, and can Jeremiah do extended techniques on your old organ?\u2019 \u2018No problem!\u2019 We got to utilise a really old building and be joyful and exploratory about it.\u201d Chiu adds: \u201cI remember when we finished the concert, and one of the audience members was like: \u2018I come to this church every week, but I\u2019ve never heard this organ played this way, ever.\u2019\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-attachment-id=\"3671\" data-permalink=\"https:\/\/fr-nt.nl\/en\/2022\/04\/01\/no-time-is-of-the-essence-for-jeremiah-chiu-marta-sofia-honer\/chiusofia3\/\" data-orig-file=\"https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/chiusofia3.jpg\" data-orig-size=\"1500,1125\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"chiusofia3\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/chiusofia3-1024x768.jpg\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAABAAAAAMAAQMAAACAdIdOAAAAA1BMVEUAAP+KeNJXAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAHZJREFUeNrtwQEBAAAAgiD\/r25IQAEAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAO8Ggw8AAeUA3VQAAAAASUVORK5CYII=\" alt=\"\" class=\"wp-image-3671 nebotheme-lazyload lazyload\" data-sizes=\"auto\" data-ls-sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" data-src=\"https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/chiusofia3-1024x768.jpg\" data-srcset=\"https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/chiusofia3-1024x768.jpg 1024w, https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/chiusofia3-768x576.jpg 768w, https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/chiusofia3-16x12.jpg 16w, https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/chiusofia3-1200x900.jpg?crop=1 1200w, https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/chiusofia3-800x600.jpg?crop=1 800w, https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/chiusofia3-400x300.jpg?crop=1 400w, https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/chiusofia3-200x150.jpg?crop=1 200w, https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/chiusofia3-830x623.jpg 830w, https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/chiusofia3.jpg 1500w\"><\/figure>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">Chiu\u2019s restless, exploratory nature shines bright on <em>Recordings from the \u00c5land Islands<\/em>, as does Sofia Honer\u2019s technical prowess. Nonetheless, it took some time for the two to find symbiosis in their disparate methods. Classically trained, and working as a fulltime session player for the likes Angel Olsen, Beyonc\u00e9, Fleet Foxes, and Kamasi Washington, Sofia Honer is used to \u201cplaying all the notes\u201d and to do so many times over. Meanwhile, Chiu claims to have \u201cnever played the same show twice\u201d, whether it\u2019s solo or with one of his many alternating collaborators.<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">It took a pandemic for the two of them to realise that, perhaps, <em>time<\/em> was what was keeping them from collaborating all along. Without shows and studio sessions to occupy them, Chiu and Sofia Honer found that, many months after their last visit to \u00c5land, the place where \u201cthere was no time happening\u201d had met them in LA. Finally, the moment had come for them to start compiling the many, many snippets, field recordings, full songs, and experiments from their time in \u00c5land \u2013 an album in mind.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chiu: \u201cIt was really important for us to leave a lot of what was captured intact and not to go back to a studio and re-record and re-write to try and capture the essence of something. That essence is already present in these recordings.\u201d What does that essence amount to, exactly? \u201cYou can hear human-ness. I always think about this when you hear a demo recording versus the final recording of a song. I love the feeling of hearing the room, the air, the mistakes, the happenstance of something.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">The specificity that inhabits the \u201csurrealistic portrait of a place\u201d that is <em>Recordings from the \u00c5land Islands<\/em>, makes for a rather challenging live show \u2013 one that\u2019s been evolving ever for a few months now. Chiu: \u201cThis particular record is so slow in its pace, because of that place. The place is such a calm and slowly paced environment, that when you\u2019re playing these things out, it can be quite hard to keep people\u2019s attention.\u201d Using the familiar field recordings and melodies from the album, the two like to start by setting the scene. \u201cSo that we can all travel together.\u201d But, as Sofia Honer is quick to add: \u201cWe want to meet the audience where they are too. Once Jeremiah brought a little bit of a beat in, the other weekend in New York, people were <em>very<\/em> excited. So I think we are adapting, expanding how to share this moment in time, but make it a relevant and special performance for everyone.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chiu: \u201cTo me, when improvisation hits is when you\u2019re challenging the energy of the space in that time. It has nothing to do with me trying to show my technical prowess, but more with what\u2019s appropriate for the space right now. What\u2019s the speed and energy of this place, with all these people?\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">Now that <em>Recordings from the \u00c5land Islands<\/em> is out there, and the tour well underway, the collaboration is expanding. Sofia Honer: \u201cWith how great the reception has been, and how fun it\u2019s been to be able to work together, it\u2019s proving itself to be an avenue that we\u2019re going to save more time for down the line.\u201d Chiu: \u201cI had a thought about this: If people are interested in this thing and they want to help us write grants and get us places to make records, we would do it. I always like the idea of site-specific, research-based projects, because they give you a framework to think about music and expression in a way that feels very focused.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sofia Honer: \u201cSomeone did email us that grant application recently for a residency by a volcano in Hawaii.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chiu: \u201cWell, that could be volume two.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\"><em>Jeremiah Chiu &amp; Marta Sofia Honer are performing at Rewire Festival in The Hague on Sunday April 10. You can order Recordings from the \u00c5land Islands <a href=\"https:\/\/intlanthem.bandcamp.com\/album\/recordings-from-the-land-islands\" data-type=\"URL\" data-id=\"https:\/\/intlanthem.bandcamp.com\/album\/recordings-from-the-land-islands\" target=\"_blank\" rel=\"noreferrer noopener\">here <\/a><\/em>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Front is mediapartner van&nbsp;Rewire&nbsp;\u2013 van 7 tot 10 april 2022 in Den Haag. Naast Jeremiah Chiu &amp; Marta Sofia Honer zijn ook&nbsp;onder meer&nbsp;Alabaster dePlume,&nbsp;Mabe Fratti, bela, Leo Svirsky, en&nbsp;Oceanic&nbsp;hier te zien. Meer informatie vind je op&nbsp;de website van Rewire. Experimenteel componist en modulaire synthesizer-goeroe Jeremiah Chiu en violavirtuoos Marta Sofia Honer woonden en speelden al &hellip;<\/p>","protected":false},"author":94092194,"featured_media":3672,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_crdt_document":"","_uag_custom_page_level_css":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[],"tags":[725783292,23294802,11788,725783290,725783291,230271,241123],"class_list":["post-3668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","tag-aland","tag-international-anthem","tag-interview","tag-jeremiah-chiu","tag-marta-sofia-honer","tag-rewire","tag-uitgelicht"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1.jpg","uagb_featured_image_src":{"full":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1.jpg",1600,1080,false],"thumbnail":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-150x150.jpg?crop=1",150,150,true],"medium":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-300x300.jpg?crop=1",300,300,true],"medium_large":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-768x518.jpg",768,518,true],"large":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-1024x691.jpg",1024,691,true],"1536x1536":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-1536x1037.jpg",1536,1037,true],"2048x2048":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1.jpg",1600,1080,false],"trp-custom-language-flag":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-18x12.jpg",18,12,true],"newspack-article-block-landscape-large":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-1200x900.jpg?crop=1",1200,900,true],"newspack-article-block-portrait-large":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-900x1080.jpg",900,1080,true],"newspack-article-block-square-large":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-1200x1080.jpg",1200,1080,true],"newspack-article-block-landscape-medium":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-800x600.jpg?crop=1",800,600,true],"newspack-article-block-portrait-medium":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-600x800.jpg?crop=1",600,800,true],"newspack-article-block-square-medium":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-800x800.jpg?crop=1",800,800,true],"newspack-article-block-landscape-intermediate":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1.jpg",600,405,false],"newspack-article-block-portrait-intermediate":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1.jpg",450,304,false],"newspack-article-block-square-intermediate":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1.jpg",600,405,false],"newspack-article-block-landscape-small":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-400x300.jpg?crop=1",400,300,true],"newspack-article-block-portrait-small":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-300x400.jpg?crop=1",300,400,true],"newspack-article-block-square-small":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-400x400.jpg?crop=1",400,400,true],"newspack-article-block-landscape-tiny":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-200x150.jpg?crop=1",200,150,true],"newspack-article-block-portrait-tiny":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-150x200.jpg?crop=1",150,200,true],"newspack-article-block-square-tiny":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-200x200.jpg?crop=1",200,200,true],"newspack-article-block-uncropped":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-1200x810.jpg",1200,810,true],"yaffo-small-square":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-90x90.jpg?crop=1",90,90,true],"yaffo-grid":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/04\/International-Anthem-1-580x420.jpg?crop=1",580,420,true],"yaffo-square"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van Dijk","author_link":"https:\/\/fr-nt.nl\/en\/author\/dijkvanruben\/"},"uagb_comment_info":0,"uagb_excerpt":"Front is mediapartner van&nbsp;Rewire&nbsp;\u2013 van 7 tot 10 april 2022 in Den Haag. Naast Jeremiah Chiu &amp; Marta Sofia Honer zijn ook&nbsp;onder meer&nbsp;Alabaster dePlume,&nbsp;Mabe Fratti, bela, Leo Svirsky, en&nbsp;Oceanic&nbsp;hier te zien. Meer informatie vind je op&nbsp;de website van Rewire. Experimenteel componist en modulaire synthesizer-goeroe Jeremiah Chiu en violavirtuoos Marta Sofia Honer woonden en speelden al&hellip;","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pay7cI-Xa","_links":{"self":[{"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/posts\/3668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/users\/94092194"}],"replies":[{"embeddable":true,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/comments?post=3668"}],"version-history":[{"count":11,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/posts\/3668\/revisions"}],"predecessor-version":[{"id":3682,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/posts\/3668\/revisions\/3682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/media\/3672"}],"wp:attachment":[{"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/media?parent=3668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/categories?post=3668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/tags?post=3668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}