{"id":3869,"date":"2022-07-27T12:13:35","date_gmt":"2022-07-27T11:13:35","guid":{"rendered":"https:\/\/fr-nt.nl\/?p=3869"},"modified":"2022-07-27T13:07:17","modified_gmt":"2022-07-27T12:07:17","slug":"oneindig-open-emily-sprague-florist-is-weer-thuis","status":"publish","type":"post","link":"https:\/\/fr-nt.nl\/en\/2022\/07\/27\/infinitely-open-emily-sprague-florist-is-home-again\/","title":{"rendered":"Infinitely open, Emily Sprague (Florist) is home again"},"content":{"rendered":"<p class=\"wp-block-paragraph translation-block\"><strong>Silence is myth on the fourth Florist album \u2013 simply titled <em>Florist<\/em> \u2013 a sci-fi concoction. Because after years of being alone, quiet, and detached, singer Emily Sprague realized that that\u2019s no way of living. And so instead, the first full-band album in five years by the New York folk band is a celebration of connectedness, friendship, and sound, a collaboration not just with each other, but with the birds, the bugs, and beech trees all around. A conversation about intense nature and physical reconnection.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\"><strong>Written by: <\/strong>Ruben van Dijk<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">In the darkest depths of <em>Emily Alone<\/em> (2019), Emily Sprague pondered submerging herself in the nocturnal ocean. \u201cDark into dark, I want it to pull me deeply,\u201d we heard her speak on \u2018Still\u2019, \u201cI think sound would disappear, light would too. That would be nice after a very earthly series of thoughts.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">Death and solitude were all over the third Florist album, released under the Florist name, but made entirely by its lead vocalist. Alone. The loss of her mother, her best friend, in 2017, had prompted Sprague to leave Brooklyn behind and move to California \u2013 to get away from <em>everything<\/em>, into sun-drenched darkness. In that state, the only viable outlet was to record her thoughts unmediated, resulting in some of the most remarkably transparent songwriting in recent memory. An expression of the soul as visceral and crystalline as <a href=\"https:\/\/mlesprg.bandcamp.com\/album\/water-memory-mount-vision\" target=\"_self\">some of the ambient music Sprague had already been releasing under her own name<\/a> \u2013 now <em>with<\/em> words, all heart.<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">She prophesied her own catharsis when, on \u2018As Alone\u2019, she sang about how, with all the confusion she was feeling, \u201csome kind of sadness is freed from the words and the sounds that I sing to myself.\u201d And, \u201cEmily, just know that you\u2019re not as alone as you feel in the dark.\u201d<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>\"Being there for a month, really living in this place, and not having a ton of connection to the things we do that root us in our human world, we just started to feel like a part of the ecosystem there.\"<\/strong><\/p><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">Now, the Pacific Ocean no longer tempts her, nor does silence \u2013 at least not in any all-encompassing way. Days after the release (and deliverance) of <em>Emily Alone<\/em> in July of 2019, Sprague found herself reunited with her bandmates \u2013 Jonnie Baker, Rick Spataro, and Felix Walworth \u2013 recording in a house in the Hudson Valley in upstate New York. After a month, the quartet emerged with eighty percent of a full-band album completed; an album simply titled <em>Florist<\/em> that sees the light of day only now, three-years-and-three-months after its predecessor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">The pandemic, naturally, was part of the album\u2019s delay, but became its own opportunity that made for an already-markedly different end product when compared to <em>Emily Alone<\/em>. After that first month in the Hudson Valley, it would be another two years before the band was able to get together again and wrap up. \u201cIt was kind of a cool period to really sit with [the album],\u201d Sprague tells me from her new home in the Catskill Mountains, \u201cEverything else that we\u2019ve made, we\u2019ve finished \u2013 start to finish \u2013 in the time that we were recording. Within a month, or within a couple of months. And I like doing it that way. We\u2019ve just never done it this way, where we got to really love it, then hate it, then want to change something about it, and then come back around to liking it how it is.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">After two years, some new songs were added, some old songs re-recorded, and some of the instrumental tracks, most of them jams spearheaded by guitarist Jonnie Baker, were tweaked. Yet, <em>Florist<\/em> still very much holds as a time capsule; a record of a family rekindled in the place where it all started. Rather than a longing for quietude, here, there is abundance. The sound of someone embracing <em>everything<\/em>, \u201cready to be infinitely open,\u201d as Sprague sings on \u2018Feathers\u2019. And so we spoke about what it means to be connected once again.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EWbYu_qqSf4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>Can you take me back to that one month in the summer of 2019? Recording and <em>living<\/em> with your bandmates in a way that you hadn\u2019t really done before, I can imagine that must have been quite an intense period for all of you.<\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">Sprague: \u201cIt was really intense. We\u2019re all pretty emotional people and we\u2019re so close to each other, we treat each other kind of like family. We bring everything into the room with each other when we\u2019re recording, we\u2019re not being polite, we\u2019re feeling all of our feelings. It was really hard, but it was also one of the best times of my life. I think for all of us it was such a special place, such a beautiful time that we shared together and that means so much to us now. And the cool part about it is that almost all of the record captures what that time was like. You can hear so much of what the place was like, how we were communicating with each other.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>So how much of the album was written and fully formed before going into the recording process? And how much was written in the moment?<\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cI think there were maybe three or four songs written ahead of time, a handful that I had partially written, and a couple that I wrote while we were there. I still would <em>write<\/em> everything in my little solitude area \u2013 whether it was in my room or outside by myself or something \u2013 but we would be talking about them as that was happening, which was also something that was totally new. It\u2019s always been: \u2018Here\u2019s the songs, they\u2019re done. Let\u2019s just go in and record them.\u2019 And I think that definitely influenced the process.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>I\u2019ve always sensed this beautiful, natural, almost animistic spirituality in a lot of your music, both with Florist and your solo work, but especially on this album. From that perspective I wanted to ask: can you maybe talk about the natural environment in which you recorded this album and how that may have seeped through, both sonically and spiritually?\n<\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">\u201cSo, we recorded in the Hudson Valley, which is where I grew up. My childhood, my coming-of-age experience was very solitary. I grew up in a really, really, really small town. I had friends, but with the environment I was in, I was basically always going out, being by myself in the woods, by the lake or the creek or whatever. That has been a huge influence on the things that are sacred to me. It really is just what I feel most connected to \u2013 and it\u2019s also where I feel the magic lies within our world and our lives. We\u2019re a part of Earth and that idea \u2013 it\u2019s kind of clich\u00e9 and simple \u2013 that we are made up of the same stuff as everything around us is just always banging in my head. I basically can\u2019t <em>not<\/em> think about that\u2026 all the time. It was really important to come back and record in nature, because the songs themselves are so much about this idea.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">\u201cAnd it was really intense nature. There\u2019s a line in one of the songs \u2013 it\u2019s in \u2018Dandelion\u2019 \u2013 and the line is: \u2018I\u2019ve never seen summer like the summer this time.\u2019 I wrote that song while we were there and it\u2019s just about being outside, being attacked by bugs, and it\u2019s so hot and it\u2019s also raining and the world is exploding around you. It was like a mushroom trip, sitting in your reality and being hyper sensitive to everything. And it was like that that whole summer. Everything was so alive.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>You mentioned growing up with a sense of solitude in that same area that you now went back to, but approaching it, alongside your bandmates, with this sense of connectedness instead. Are there moments during the recording of this album that stand out where you felt especially in touch with your surroundings \u2013 be it you individually or as a group?<\/strong>&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">\u201cWe were always trying to change our headspace and, if we were stuck on something, just try and do something that changed where we were at. At one point, we all just jumped in the creek [that was running behind the house], then got back and started working on whatever we were working on. We walked a lot, spent a lot of time outside. And we recorded on a porch that was three walls of screen, so it <em>felt<\/em> like we were outside a lot. The connection to the outside was always there. And I think that being there for a month, really living in this place, and not having a ton of connection to the things we do that really root us in our human world \u2013 technology, our comforts, all these places we go to that remove us from nature \u2013 we just started to feel like a part of the ecosystem there, like a part of that environment.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\"><strong>The previous Florist LP, <em>Emily Alone<\/em>, was essentially a solo album that you made in relative isolation, alone. What did you take away from that period that made you approach this album differently?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">\u201c<em>Emily Alone<\/em> was definitely my big journey within myself. In a lot of different ways, I was pretty much alone in life. I felt this extreme need for that. It was basically right after a period in my life where a lot of things came crashing down, a lot of hard things to go through. I knew that I needed to unpack what I was feeling, because I felt really unstable, didn\u2019t know where I stood, who I was, what I was even doing. I was just living by myself out in California.\u201d<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p class=\"translation-block\"><strong>\"Living on the West Coast, I was definitely off the ground in a way. I wasn\u2019t tied to a place.\"<\/strong><\/p><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">\u201cWe had actually been talking about making a full-band Florist record and I started writing songs for<em>Emily Alone<\/em>. I basically just wrote the first couple of songs and then knew exactly what the thing was that I wanted to make and share. After realizing that, I wrote all the songs so quickly, knowing that I needed to go as far inside myself as I could and just understand why I was feeling the way that I was feeling. It definitely wasn\u2019t an end-all, be-all exploration of that, but for that period in my life it was definitely something that helped me move on past the experience of being so paralysed within my own pain. It was a lot of work that I had \u2013 until that point in my life \u2013 never done. And then once that all happened, I felt safe enough and inspired to just have a lot of collaborations in my life again. Go out and actually be connected to people, have relationships that are intense and meaningful, love people really deeply, even though you can lose anybody at any time. And then, even though it\u2019s harder, collaboration can, when it\u2019s working, very much be greater than the sum of its parts.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">\u201cFlorist has always been rooted in friendship, in us sharing what it is we love about music with each other. Still, I\u2019ve never really collaborated with anyone else in the capacity of these three people. It has a greater weight than just a collaboration, because Florist wouldn\u2019t exist if we weren\u2019t doing it together. That\u2019s just not what this project is. With <em>Emily Alone<\/em>, it <em>was<\/em> the four of us \u2013 if that makes sense. It was the way that it was, because of our relationship to each other and because I was going through this thing. I definitely took a liberty by just being like: \u2018Well, I\u2019m the songwriter and I\u2019m just going to release this.\u2019 But in my mind, it was the way it should\u2019ve been. This new record wouldn\u2019t exist without it. Florist is a collaboration that will just always exist as a family more than it will exist as bandmates that just play music together. That is something I had to come back to in a way. I had to come back to just having friends <em>at all<\/em>, because I was so terrified of losing anything.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\"><strong>Thank you so much for opening up like that, for making <em>Emily Alone<\/em>. It\u2019s an album that\u2019s definitely given me a lot of solace and comfort in moments of solitude, and I\u2019m sure it has done the same for many others. Now, while making <em>Florist<\/em>, you were still living on the West Coast, in California. Was it a part of why you decided to move back?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cMy journey back home is very much about this whole thing that we\u2019re talking about. You know, I went out there to be as far away as possible, literally \u2013 within the United States \u2013 as I could from everything that was familiar to me, everything that I knew, and my life changed completely because of it in so many ways. And at a certain point I just realized: I want to go home, I want to be near the people that I love the most. So I decided to move back to the area that I grew up in, to be closer to my dad, which was also a huge part of this whole thing. We had a little bit of an unspoken plan to somehow just be closer again, physically in each other\u2019s lives, wherever we\u2019re living. I just knew that it was time to do that. Being near Florist was the other top of the list reason for coming back. Those are basically the two most important things in my life. Those people.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cI think I\u2019ve been \u2013 up until this point in my life \u2013 avoiding the place where I grew up. I felt really uncomfortable. Whenever I came back, I never wanted to stay for very long. It was all based in this fear of whatever I had experienced that was difficult or painful that I associated with this place. But it was always kind of confusing, because there\u2019s so much here that is so sacred to me and so, so, so, so special. I just wasn\u2019t able to see it clearly. I\u2019m back here now and I love it. Being home feels so comforting. It was just all about wanting to be close again, having people in my life.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>To what extent did you have to <em>physically<\/em> reconnect, moving back to this place that\u2019s so sacred to you?<\/strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">\u201cLiving on the West Coast, I was definitely off the ground in a way. I wasn\u2019t tied to a place. I was just living in a place, experimenting with what it is to wander. And that physical reconnection was really just: all being in the same place, getting together, playing our instruments in the same room, having that come into our bodies, to spend physical time with people and not just <em>exist<\/em>. You exist connected, you exist in relation to each other, but if you don\u2019t sit down at a table with somebody every once in a while, you never get to access that part of the relationship.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\"><em>Florist is out on July 29th through Double Double Whammy. You can buy the album through <\/em><a href=\"https:\/\/florist.bandcamp.com\/album\/florist\" target=\"_self\"><em>the band's Bandcamp page<\/em><\/a><em>.<\/em>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>Stilte is fictie op het vierde Florist-album &#8211; dat simpelweg Florist heet. Een science-fictionverzinsel. Want na jarenlang alleen, op afstand en in relatieve zwijgzaamheid te hebben geleefd, beseft zangeres Emily Sprague dat dat geen echt bestaan is. In plaats daarvan is het eerste \u2018full band\u2019-album van de New Yorkse folkband in vijf jaar een viering &hellip;<\/p>","protected":false},"author":94092194,"featured_media":3872,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_uag_custom_page_level_css":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[],"tags":[725783321,725783320,11788,241123],"class_list":["post-3869","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","tag-double-double-whammy","tag-florist","tag-interview","tag-uitgelicht"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2.jpg","uagb_featured_image_src":{"full":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2.jpg",3051,2023,false],"thumbnail":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-150x150.jpg?crop=1",150,150,true],"medium":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-300x300.jpg?crop=1",300,300,true],"medium_large":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-768x509.jpg",768,509,true],"large":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-1024x679.jpg",1024,679,true],"1536x1536":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-1536x1018.jpg",1536,1018,true],"2048x2048":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-2048x1358.jpg",2048,1358,true],"trp-custom-language-flag":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-18x12.jpg",18,12,true],"newspack-article-block-landscape-large":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-1200x900.jpg?crop=1",1200,900,true],"newspack-article-block-portrait-large":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-900x1200.jpg?crop=1",900,1200,true],"newspack-article-block-square-large":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-1200x1200.jpg?crop=1",1200,1200,true],"newspack-article-block-landscape-medium":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-800x600.jpg?crop=1",800,600,true],"newspack-article-block-portrait-medium":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-600x800.jpg?crop=1",600,800,true],"newspack-article-block-square-medium":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-800x800.jpg?crop=1",800,800,true],"newspack-article-block-landscape-intermediate":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2.jpg",600,398,false],"newspack-article-block-portrait-intermediate":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2.jpg",450,298,false],"newspack-article-block-square-intermediate":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2.jpg",600,398,false],"newspack-article-block-landscape-small":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-400x300.jpg?crop=1",400,300,true],"newspack-article-block-portrait-small":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-300x400.jpg?crop=1",300,400,true],"newspack-article-block-square-small":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-400x400.jpg?crop=1",400,400,true],"newspack-article-block-landscape-tiny":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-200x150.jpg?crop=1",200,150,true],"newspack-article-block-portrait-tiny":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-150x200.jpg?crop=1",150,200,true],"newspack-article-block-square-tiny":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-200x200.jpg?crop=1",200,200,true],"newspack-article-block-uncropped":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-1200x796.jpg",1200,796,true],"yaffo-small-square":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-Solether-2-90x90.jpg?crop=1",90,90,true],"yaffo-grid":["https:\/\/fr-nt.nl\/wp-content\/uploads\/2022\/07\/Florist-by-Carl-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van Dijk","author_link":"https:\/\/fr-nt.nl\/en\/author\/dijkvanruben\/"},"uagb_comment_info":0,"uagb_excerpt":"Stilte is fictie op het vierde Florist-album &#8211; dat simpelweg Florist heet. Een science-fictionverzinsel. Want na jarenlang alleen, op afstand en in relatieve zwijgzaamheid te hebben geleefd, beseft zangeres Emily Sprague dat dat geen echt bestaan is. In plaats daarvan is het eerste \u2018full band\u2019-album van de New Yorkse folkband in vijf jaar een viering&hellip;","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pay7cI-10p","_links":{"self":[{"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/posts\/3869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/users\/94092194"}],"replies":[{"embeddable":true,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/comments?post=3869"}],"version-history":[{"count":5,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/posts\/3869\/revisions"}],"predecessor-version":[{"id":3879,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/posts\/3869\/revisions\/3879"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/media\/3872"}],"wp:attachment":[{"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/media?parent=3869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/categories?post=3869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fr-nt.nl\/en\/wp-json\/wp\/v2\/tags?post=3869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}